Quite literally what happens when you try to build a spaceship with the budget of a wheelbarrow. An overextended, hastily-put-together downward spiral with the performance of a triangular wheel.

Despite some steps back compared to its predecessor, ‘Mercenaries’, most notably the sacrifice of depth in favor of accessibility, Clans is still, overall, a decent entry in the franchise.

Amidst sizzling burgers and steaming coffee, While We Wait Here is a pensive dinner date not with the end of the world, but rather the confrontation of struggle and the birth of something new.

Copycat is a beautiful game that does an excellent job telling a very difficult story. It’s a hard game to play through and process, though it’s rewarding in the exploration it offers.

An exceptional sequel that is equal parts grandiose, savage and emotionally nuanced, Ragnarök is the peak of Sony’s cinematic formula.

The game understands the basics of what makes card battlers functional without understanding what makes them fun. What I’m left with is a hollow, mindless experience, staring at dice in bafflement.

The effort to remaster Telltale’s Sam & Max trilogy comes to a close as Skunkape delivers a spruced-up version of its excellent 2010 finale.

Enotria is the very model of a typical non-FromSoft soulslike; there's a lot to like, not a lot to love.

An annoying open-world survival that becomes increasingly repetitive and choreful as you progress. The few things it manages to do well are far outshined by its bad design decisions.

Obduction delivers a relatively successful modernization of everything that made Myst a must-have in the 90s.