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https://en.wikipedia.org/wiki/Moog_synthesizer
It had very flexible control of analog electronic wave-form sounds, and was fine for studio recording, but almost too time-consuming to setup between songs for live performances.
I later owned/used a newer, very portable version of a Moog synthesizer, but it was monophonic, with preset instrument sounds, and I only used it to play things like flute, sax, bass, or other one-note instrument parts in a song. It was the smallest synth I ever owned, which is Ironic considering how large the original Moog's were.
Keyboard player in a distant past of mine had one, was great to fiddle around with, but with no presets it's a hassle to remember settings if you want a certain sound consistently.
I've owned various synthesizers in my career, and only one of them had the true ability to generate sounds purely from controls to blend electronic wave-form attributes. For example, that particular synthesizer was used when I performed Edgar Winter's piece titled "Frankenstein".
As far as I can see it's a blend of digital piano with keyboard functions (like tons of sounds, rhythm box, recording/sequencer, midi etc.), as I have.