Early life
Chan was born on 7 April 1954 in Hong Kong as Chan Kong-sang to Charles and Lee-Lee Chan, refugees from the Chinese Civil War. His parents nicknamed him Pao-pao (Chinese: 炮炮 'Cannonball') because the energetic child was always rolling around. His parents worked for the French ambassador in Hong Kong, and Chan spent his formative years within the grounds of the consul's residence in the Victoria Peak district.

Chan attended the Nah-Hwa Primary School on Hong Kong Island, where he failed his first year, after which his parents withdrew him from the school. In 1960, his father emigrated to Canberra, Australia, to work as the head cook for the American embassy, and Chan was sent to the China Drama Academy, a Peking Opera School run by Master Yu Jim-yuen. Chan trained rigorously for the next decade, excelling in martial arts and acrobatics. He eventually became part of the Seven Little Fortunes, a performance group made up of the school's best students, gaining the stage name Yuen Lo (元樓) in homage to his master. Chan became close friends with fellow group members Sammo Hung and Yuen Biao, and the three of them later became known as the Three Brothers or Three Dragons. After entering the film industry, Chan along with Sammo Hung got the opportunity to train in hapkido under the grand master Jin Pal Kim, and Chan eventually attained a black belt. Jackie Chan also trained in other styles of martial arts such as Karate, Judo, Taekwondo and Jeet Kune Do.

Chan joined his parents in Canberra in 1976, where he briefly attended Dickson College and worked as a construction worker. A fellow builder named Jack took Chan under his wing, thus earning Chan the nickname of "Little Jack," later shortened to "Jackie", which has stuck with him ever since. In the late 1990s, Chan changed his Chinese name to Fong Si-lung (Chinese: 房仕龍), since his father's original surname was Fong.

Film career
1962–1975: Early appearances
He began his career by appearing in small roles at the age of five as a child actor. At age eight, he appeared with some of his fellow "Little Fortunes" in the film Big and Little Wong Tin Bar (1962) with Li Li-Hua playing his mother. The following year, the young actor appeared in extras of The Love Eterne (1963) and had a small role in King Hu's 1966 film Come Drink with Me. In 1971, after an appearance as an extra in another kung fu film, A Touch of Zen, Chan was signed to Chu Mu's Great Earth Film Company. At seventeen, he worked as a stuntman in the Bruce Lee films Fist of Fury and Enter the Dragon under the stage name Chan Yuen Lung (Chinese: 陳元龍). He received his first starring role later that year in Little Tiger of Canton, which had a limited release in Hong Kong in 1973.

1976–1980: Early leading roles
In 1976, Jackie Chan received a telegram from Willie Chan, a film producer in the Hong Kong film industry who had been impressed with Jackie's stunt work. Willie Chan offered him an acting role in a film directed by Lo Wei. Lo had seen Chan's performance in the John Woo film Hand of Death (1976) and planned to model him after Bruce Lee with the film New Fist of Fury. His stage name was changed to Sing Lung (Chinese: 成龍, also transcribed as Cheng Long, literally "become the dragon") to emphasise his similarity to Bruce Lee, whose stage name meant "Little Dragon" in Chinese. The film was unsuccessful because Chan was not accustomed to Lee's martial arts style. Despite the film's failure, Lo Wei continued producing films with similar themes, but with little improvement at the box office.

Chan's first major breakthrough was the 1978 film Snake in the Eagle's Shadow, shot while he was loaned to Seasonal Film Corporation under a two-picture deal. Director Yuen Woo-ping allowed Chan complete freedom over his stunt work. The film established the comedic kung fu genre, and proved refreshing to the Hong Kong audience. The same year, Chan then starred in Drunken Master, which finally propelled him to mainstream success.

Upon Chan's return to Lo Wei's studio, Lo tried to replicate the comedic approach of Drunken Master, producing and also showed new features at the time with Jackie as the Stunt Director Half a Loaf of Kung Fu and Spiritual Kung Fu. He also gave Chan the opportunity to make his directorial debut in The Fearless Hyena. When Willie Chan left the company, he advised Jackie to decide for himself whether or not to stay with Lo Wei. During the shooting of Fearless Hyena Part II, Chan broke his contract and joined Golden Harvest, prompting Lo to blackmail Chan with triads, blaming Willie for his star's departure. The dispute was resolved with the help of fellow actor and director Jimmy Wang Yu, allowing Chan to stay with Golden Harvest.

1980–1987: Success in the action comedy genre
Willie Chan became Jackie's personal manager and firm friend, and remained so for over 30 years. He was instrumental in launching Chan's international career, beginning with his first forays into the American film industry in the 1980s. His first Hollywood film was The Big Brawl in 1980.Chan then played a minor role in the 1981 film The Cannonball Run, which grossed over US$100 million worldwide. Despite being largely ignored by North American audiences in favour of established American actors such as Burt Reynolds, Chan was impressed by the outtakes shown at the closing credits, inspiring him to include the same device in his future films.

After the commercial failure of The Protector in 1985, Chan temporarily abandoned his attempts to break into the US market, returning his focus to Hong Kong films.

Back in Hong Kong, Chan's films began to reach a larger audience in East Asia, with early successes in the lucrative Japanese market including Drunken Master, The Young Master (1980) and Dragon Lord (1982). The Young Master went on to beat previous box office records set by Bruce Lee and established Chan as Hong Kong cinema's top star. With Dragon Lord, he began experimenting with elaborate stunt action sequences, including the final fight scene where he performs various stunts, including one where he does a back flip off a loft and falls to the lower ground.

Chan produced a number of action comedy films with his opera school friends, Sammo Hung and Yuen Biao. The three co-starred together for the first time in 1983 in Project A, which introduced a dangerous stunt-driven style of martial arts that won it the Best Action Design Award at the third annual Hong Kong Film Awards. Over the following two years, the "Three Brothers" appeared in Wheels on Meals and the original Lucky Stars trilogy. In 1985, Chan made the first Police Story film, a crime action film in which Chan performed a number of dangerous stunts. It won Best Film at the 1986 Hong Kong Film Awards. In 1986, Chan played "Asian Hawk," an Indiana Jones-esque character, in the film Armour of God. The film was Chan's biggest domestic box office success up to that point, grossing over HK$35 million.

1988–1998: Acclaimed sequels and Hollywood breakthrough
In 1988, Chan starred alongside Sammo Hung and Yuen Biao for the last time to date, in the film Dragons Forever. Hung co-directed with Corey Yuen, and the villain in the film was played by Yuen Wah, both of whom were fellow graduates of the China Drama Academy.

In the late 1980s and early 1990s, Chan starred in a number of successful sequels beginning with Project A Part II and Police Story 2, which won the award for Best Action Choreography at the 1989 Hong Kong Film Awards. This was followed by Armour of God II: Operation Condor, and Police Story 3: Super Cop, for which Chan won the Best Actor Award at the 1993 Golden Horse Film Festival. In 1994, Chan reprised his role as Wong Fei-hung in Drunken Master II, which was listed in Time Magazine's All-Time 100 Movies. Another sequel, Police Story 4: First Strike, brought more awards and domestic box office success for Chan, but did not f