Πρόσφατες κριτικές από τον Astro

+REP worth every dollar
+REP graphics still feels fresh
+REP CO-OP never felt better
+REP for my homie in dying light XDD
Still finishing this game with my homie in Co-op

ehe

ehe :)

Enjoyable game
graphics are cool
Better with friends

---{ Graphics }---
☐ You forget what reality is
☐ Beautiful
☑ Good
☐ Decent
☐ Bad
☐ Don‘t look too long at it
☐ MS-DOS

---{ Gameplay }---
☐ Very good
☑ Good
☐ It's just gameplay
☐ Mehh
☐ Watch paint dry instead
☐ Just don't

---{ Audio }---
☐ Eargasm
☐ Very good
☑ Good
☐ Not too bad
☐ Bad
☐ I'm now deaf

---{ Audience }---
☐ Kids
☑ Teens
☐ Adults
☐ Grandma

---{ PC Requirements }---
☐ Check if you can run paint
☐ Potato
☐ Decent
☑ Fast
☐ Rich boi
☐ Ask NASA if they have a spare computer

---{ Difficulty }---
☐ Just press 'W'
☑ Easy
☐ Easy to learn / Hard to master
☐ Significant brain usage
☐ Difficult
☐ Dark Souls

---{ Grind }---
☐ Nothing to grind
☐ Only if u care about leaderboards/ranks
☑ Isn't necessary to progress
☐ Average grind level
☐ Too much grind
☐ You'll need a second live for grinding

---{ Story }---
☐ No Story
☐ Some lore
☑ Average
☐ Good
☐ Lovely
☐ It'll replace your life

---{ Game Time }---
☐ Long enough for a cup of coffee
☐ Short
☑ Average
☐ Long
☐ To infinity and beyond

---{ Price }---
☐ It's free!
☐ Worth the price
☑ If it's on sale
☐ If u have some spare money left
☐ Not recommended
☐ You could also just burn your money

---{ Bugs }---
☐ Never heard of
☑ Minor bugs
☐ Can get annoying
☐ ARK: Survival Evolved
☐ The game itself is a big terrarium for bugs

---{ ? / 10 }---
☐ 1
☐ 2
☐ 3
☐ 4
☐ 5
☐ 6
☑ 7
☐ 8
☐ 9
☐ 10

Important features of Krita
The software is used by illustrators, 2D and 3D designers, concept designers, visual effect creators and game developers.
The Inkball pen tool is used for sketching and drawing the basic outlines of any drawing, usually in black.
It supports PSD (Photoshop Document).
Tools like the Fill Brush circle and the Fill Brush Circle are used as brushes for developing silhouettes. They have hundred per cent opacity and the size of the brushes alter according to the amount of pressure applied to them.
Smudging and blending colours can be performed by Bristles Wet Brush.
The Bristles Texture Brush can be used for smoothing a texture.
The Basic Mix Soft brush can be used for blurring out the edges of a certain image drawing.
Brush stabilizers help you to draw if you have a shaky hand!
It has layer management and mirroring tools.
The user interface is very easy to use and it can be customized according to the user’s preference.
Advantages of Krita
The advantages of Krita are as follows:

As it supports OpenGL, it can be combined along with Krita to enhance its performance. This leads to faster mirroring, zooming and panning, rotation etc.
The interface lets the user focus on the development of art rather than the software complexities. Users can make their own shortcuts of the commonly used tools.
It provides support to users through their online tools and resources. These materials are well made and will help beginners to learn the software quickly.
The management of drawings is not as complicated as the layering tool is very effective. This tool is used for making the layer of a particular drawing to work as the background of other drawings.
As the tool is open source the community support is huge and many developers are constantly making changes to it. Useful updates and add ons are available for users.

why Bayonetta?
+Old school agme
+High FPS
+LOADS of fan service
+Bayonetta is sexy lady
+Gameplay is good
+Graphics are pretty decent
+Cut scene never fails to amaze
+Voice artist did an awesome job
+Hard monsters
+climax scens are the best
+SEGA is OP

⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣀⣤⣤⣀⢠⣀⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣠⣸⣿⣿⣿⣿⣿⣾⣿⡟⣐⡄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠠⢿⣿⣿⣿⣿⣿⢿⢿⣷⠣⣞⣅⠄⢠⣶⣦⣄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢀⠘⣿⣧⣿⣿⣏⢻⣇⣟⣠⣹⡇⢃⣼⣿⣿⣿⣶⣤⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⢲⠻⢿⣿⣿⠿⠚⠇⠡⢻⣷⡻⢸⣿⣿⣿⣷⣿⢪⣟⢦⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢾⣬⣆⠐⠶⢆⢀⠄⠜⢿⣿⢻⡾⠿⣿⣿⣿⣿⣿⣫⡛⢿⣦⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⠳⣤⣍⣻⣾⣠⣴⣿⣟⠁⣧⣷⡖⡌⠻⣿⣿⣷⣿⣯⡢⠻⣷⡀⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠘⣾⣿⣿⣿⣿⣿⣿⣟⣠⣿⣧⣿⡆⠄⢻⣿⣿⣿⣿⣿⣧⡹⣧⡄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠙⣿⣿⣿⣿⣿⣿⣿⣿⣿⠄⢹⠈⡀⢸⣿⣿⣿⣿⣷⣽⣽⡜⠿⣿⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠐⢻⣿⣿⣿⣿⣿⣿⡿⢩⠄⠄⠄⣸⣾⣿⣿⣿⣷⣹⣟⢿⣾⡿⣌⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣤⣹⣿⣿⣿⣿⢿⡯⣴⠏⠄⣠⣴⣿⣿⣿⣿⡿⣿⣙⣔⣦⡹⡆⠉⢗⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠿⣿⣿⣿⣿⡏⣸⠅⠁⠈⣰⣿⣿⣿⣿⣿⣿⣿⣧⣿⣎⠙⢧⢡⠄⣈⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠰⠿⣿⣿⣿⣷⣝⢠⣴⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡆⢸⢼⡄⡘⠆⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢀⠄⠄⠄⡀⠙⣿⣿⣿⣿⣿⣿⣿⣿⣿⣯⣿⣿⣿⣿⣿⣿⣿⣿⣿⠏⠘⢦⣿⡿⡀⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢸⣷⣿⣿⣿⣶⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣶⣆⣾⣿⣿⢲⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠘⣿⣿⣿⣿⣿⣿⣣⣺⣿⣿⣿⣿⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡽⡿⣿⡿⢾⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢠⡀⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣽⣿⣿⣿⣿⣷⠻⣿⣿⣿⣯⣵⣿⡆⣿⣰⣾⡇⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢻⣦⣿⣟⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣻⣛⣿⣿⣿⣿⢀⣿⣿⣿⣿⣿⣿⣇⣿⣿⣿⡇⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⠛⠛⣺⣿⣿⣯⣿⣳⣿⣿⣿⣿⣿⢿⣿⣿⣿⣿⣿⣯⣿⣿⣟⣿⣿⡿⣿⣿⣿⣧⡅⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢀⣧⣄⣀⠄⠸⣿⣿⣿⣿⣿⣿⣿⣿⠿⠟⠋⠈⢹⣿⣿⣿⣿⣿⣿⣟⠿⠿⢆⣧⣸⣿⣿⣿⡇⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⡠⣫⣯⡿⣥⣄⣾⣯⣿⣿⣿⣿⣿⡿⠇⠄⣀⣤⣶⣿⣿⣿⣿⣾⣿⣮⣭⣿⢏⢵⢿⣿⣿⡿⢿⣀⠄⠄
⠄⠄⠄⠄⠄⠄⢀⠄⡀⠄⢀⡴⣺⡿⣡⣽⣿⣿⣿⣿⣿⣿⡟⢙⣻⣷⣶⣿⣿⣿⢾⣿⣿⣿⣿⣿⣾⣿⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣆⢀
⠄⠄⠄⠄⡠⣢⣦⣾⢳⣠⢞⣱⢫⡿⠛⠘⣿⣿⣿⣯⣻⣿⣀⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⡿⣋⣭⣿⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⡟⡚
⠄⠄⣠⢾⣾⣿⣿⢟⣽⣿⣿⣵⢫⡾⠶⡦⠻⣟⡿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣾⣿⣿⣿⣿⣿⣷⣿⢻⣿⣿⣿⣿⢿⢣⡇
⢀⣴⢱⡻⣿⠟⣵⣪⡾⡫⣿⣿⠿⣵⣦⡀⠄⠙⠻⣿⣿⣿⣿⣿⣿⣯⡛⠟⠛⡋⣡⣾⣿⣿⣿⣿⣿⣿⣿⡿⣿⣟⠘⢛⣿⣿⣿⠁⠁⠄
⢸⣿⡶⢂⣸⣸⡾⣫⡾⠾⡇⢌⢿⣿⢉⡿⣋⣾⣆⠄⣼⢛⠝⠋⠁⠄⢀⣤⣦⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣧⣀⣸⣿⣛⠏⠄⠄⠄
⠘⣿⣬⣯⣹⡿⣿⣿⣶⣶⣿⣍⡫⣻⠛⣫⣿⣿⢋⡘⡵⠉⠄⠄⠄⢀⣿⣭⣿⣿⣿⣿⣿⣿⣿⣿⣟⣿⣿⣿⣿⣿⣿⡿⠟⠁⠄⠄⠄⠄
⠄⠈⠻⣿⣭⡼⣯⡟⠑⢝⢯⣿⣿⣿⢕⢘⡿⡁⡐⠋⠄⠄⠄⠄⣠⣿⣿⣯⣿⣿⣿⣿⣿⣽⣿⣿⣿⣿⣿⣿⡿⠟⠋⠁⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠈⠛⠙⠋⠁⠄⠈⢷⣻⢟⣩⡿⣋⠄⣜⣁⡀⠄⠄⢀⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⢿⣯⣿⣿⣿⢖⠂⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⣠⣾⢫⣿⣿⣾⣅⣿⣫⢾⠫⠂⣤⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣯⣿⣿⠟⢁⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠻⣯⣾⣷⣿⣽⣿⣿⣵⡿⠟⢀⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠷⠟⠛⠉⠈⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⠻⣿⡿⣿⢿⣽⡿⠋⠄⠄⠈⠉⠉⠉⠉⠉⠉⠁⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠉⠉⠁⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄

⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢀⣀⡀⠄⠤⣄⣀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣰⣾⡏⠄⠄⠅⢼⣿⣿⣷⣶⣀⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⡠⣾⣿⣿⢆⠄⠄⣮⣿⣿⣿⣿⣿⣿⣿⣦⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣷⣿⣿⣿⢼⣿⣿⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⣌⣶⣶⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠹⠄⣟⡋⠁⠙⢿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣹⣿⡇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣽⣆⢘⣿⣮⣄⠄⠈⠛⣿⣿⣿⣿⠿⢿⣿⣿⣿⣿⠇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢹⣿⠋⠊⠙⢿⣷⣄⣷⣿⣿⣿⣿⣖⣢⡿⣿⣿⠃⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣀⣀⢨⣠⡄⡀⠄⠈⣿⣿⣿⣿⣏⣭⣭⡝⣿⡯⠃⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣀⣀⣽⣿⣿⣿⣿⣷⣄⡀⠩⠛⢿⣿⣿⡿⢶⣾⣿⠟⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⡠⠺⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣤⣿⣿⣿⣶⣦⣻⡙⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⢀⣴⢧⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣶⣤⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⢀⣾⡇⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⠿⠿⢿⣿⣿⣿⣿⣿⣿⣿⣿⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠸⢻⣧⣼⣿⠟⠛⢻⣿⣿⣿⣿⣿⣿⣿⣿⣧⣤⣄⠻⣿⣿⣧⡙⣿⣿⠇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⣾⣿⣿⠋⠄⣾⣿⡇⠄⠄⠄⣽⣿⣿⣯⡟⣛⠸⣤⣍⠉⠛⣿⣾⣿⡕⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⢀⣿⣿⡏⠄⣸⣿⣿⠄⠄⢀⣾⣿⣿⣯⡿⠿⣿⣿⣍⠛⠻⣾⣿⠷⣤⡿⣖⣆⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⣠⣿⣿⣿⡇⠄⣿⣿⣿⣤⣾⣿⣿⣿⣿⠟⠘⠆⣡⣿⣿⣿⣷⣿⣿⣤⣈⣢⢳⣏⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⣍⣿⣿⣿⡇⠄⣿⣿⣿⢁⡾⣿⣿⣿⡟⠕⣷⣶⣿⣿⣿⣿⣿⡏⠄⠘⣅⠹⣧⣿⡿⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠰⣉⣿⣿⡿⡇⠄⣿⣿⣿⣸⣿⣿⡻⠿⣥⡀⢰⣿⣿⣿⣿⣿⡿⣠⠰⢀⣿⡖⣟⣻⣽⡄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠿⣿⣿⣿⣷⠄⢸⣿⣿⣿⣿⡟⠿⣿⣿⣿⠿⣿⠿⣿⣿⡿⢀⣿⣿⣾⣿⣇⣿⣿⣿⡟⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠹⣿⣿⣿⣿⠶⣌⣿⣿⣿⣿⣿⣿⣿⣿⣷⣶⣶⣤⣬⣍⠐⢂⣿⣿⣿⣿⢛⣹⣿⣿⠇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⢹⣿⣿⣿⣶⣿⣿⣿⣿⠻⠿⣿⣿⣿⡟⠛⢻⣿⣿⣿⣿⣿⣶⣷⣿⣿⣿⣿⣿⡏⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠰⣾⣿⣿⣿⣿⣿⣿⣿⣿⣤⣀⣿⣯⣾⠄⠄⣈⣉⣻⣿⣿⡨⢿⣿⣿⣿⣿⣿⣿⡇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⢻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣭⣉⣁⡀⠛⠛⢻⣿⣇⣱⡜⠄⣿⣿⣯⣿⣿⠁⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠈⠻⣿⣿⣿⣿⣿⣿⡿⣿⣿⣿⣿⣿⣀⣀⣿⣿⣿⣿⣉⣲⣷⣿⣿⣿⣿⡟⠋⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠻⣿⣿⣿⣿⣧⣿⣿⣿⣤⡤⠤⢤⣠⣿⣿⣿⣿⣿⣿⣿⣿⠿⠛⡃⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠙⠻⣿⣿⡷⣿⣿⣿⣿⣷⣶⣾⣿⣿⣿⣿⣿⠿⢿⣿⣿⣿⠻⣅⣀⡀⠄⠄⠄⢀⣴⣶⣤⡄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠙⠺⣿⣿⣿⣿⣹⣿⣿⣿⣿⣿⡿⠟⠋⠈⠄⠄⠉⠉⢄⡟⠗⠍⣔⣦⣴⣿⣿⣻⢿⣿⣶⣶⣤⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠸⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣶⣶⣶⡴⢀⣇⠆⡜⠣⢿⣿⣿⣿⣿⣿⣿⣿⣿⡋⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠹⠿⠿⠛⠛⠛⠋⠩⠝⠛⠛⠻⣿⣿⣿⡫⣠⡾⣋⣬⣤⣷⣿⣿⣿⢿⡿⣿⢿⣿⣿⠛⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⠁⠉⠉⠉⠛⠛⠋⠉⠉⠹⠿⣿⣷⣿⣿⣿⠿⠃⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠉⠄⠄⠄⠄⠄
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⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄

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⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣀⡀⠄⢠⣿⣿⡿⠄⠄⣰⣿⣿⡿⠃⠄⣀⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢸⣿⡦⣾⣿⡿⠄⢰⣿⣿⣿⠃⢀⣴⣿⣿⠇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢻⣿⢙⢿⣿⡃⠰⠟⢿⣿⠟⣠⣾⣿⣿⠃⠄⠄⢀⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⣬⣿⢀⣘⣿⣿⡇⡎⢳⣿⣠⣿⣿⡿⠃⠄⠄⢠⣿⣿⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠐⢽⣿⣿⣿⣿⣿⣶⣿⣾⣿⣿⣹⣹⠃⠄⠄⣠⣿⣿⠇⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠿⣿⣻⣿⣿⣿⣿⣿⣿⣿⣿⣿⣯⠄⢀⣴⣿⢿⡟⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠘⣿⡿⢿⣿⣿⣿⣿⣿⣿⣿⣿⣷⣿⣿⢿⠗⠁⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢹⣄⡈⠋⠟⢿⣿⣿⣿⣿⣿⣿⣿⣿⡟⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢘⢛⣿⠲⠄⢀⠙⠙⠛⡛⠛⠿⠿⣻⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⢻⢿⣅⠄⠁⠂⡠⠄⢠⠪⢭⣷⣿⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠸⣏⡑⠡⠤⠚⡈⣅⣤⣶⣿⣿⣿⣧⡀⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠻⣿⣷⣤⣀⠈⠉⣷⣻⣿⣿⣿⣿⣿⣦⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
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⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠈⠙⠂⢀⠒⣤⣾⣿⣿⣿⣿⣿⣿⣿⣷⣄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
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⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⣼⢀⢈⡿⣾⣿⣿⣿⣿⣿⣿⣿⣿⣿⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄⠄
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