Steam 설치
로그인
|
언어
简体中文(중국어 간체)
繁體中文(중국어 번체)
日本語(일본어)
ไทย(태국어)
Български(불가리아어)
Čeština(체코어)
Dansk(덴마크어)
Deutsch(독일어)
English(영어)
Español - España(스페인어 - 스페인)
Español - Latinoamérica(스페인어 - 중남미)
Ελληνικά(그리스어)
Français(프랑스어)
Italiano(이탈리아어)
Bahasa Indonesia(인도네시아어)
Magyar(헝가리어)
Nederlands(네덜란드어)
Norsk(노르웨이어)
Polski(폴란드어)
Português(포르투갈어 - 포르투갈)
Português - Brasil(포르투갈어 - 브라질)
Română(루마니아어)
Русский(러시아어)
Suomi(핀란드어)
Svenska(스웨덴어)
Türkçe(튀르키예어)
Tiếng Việt(베트남어)
Українська(우크라이나어)
번역 관련 문제 보고
On the whole, I think letting Nomura run as wild as he does is what gives the series an identity that isn't just being Disney merchandise. Even if his idea of what's 'cool and hip with the kids these days' is about a decade behind where it should be; zippers and belts were a big trend in Japanese youth fashion for a while, as I understand.
For the main story, he does whatever sounds cool most of the time. But when he does actually plan things, it turns out well (the period of BBS through and including DDD has a lot of really obvious foreshadowing in hindsight. Like Terra’s eyes changing color in the BBS opening, or Xugbars appearance changing halfway through BBS, or everything that has to do with Nobodies)
Where the series excels more is characters. They are very consistent, especially the main characters
I imagine he will draw more zippers just to spite us haha