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During next week’s Steam Next Fest a brand-new, updated IHAS demo will be available for a full week, from October 14th to October 21st. 
We’ve also teamed up with our friend of the studio, EddieBizzle
One of the earlier puzzles designed for IHAS. 
Creating puzzles for IHAS has proven to be a rewarding endeavor. They add depth and variety, enriching the player experience and complementing the game's action elements. I look forward to sharing more insights in future devlogs as I continue to refine and expand upon these mechanics.
I also added voice-over and with subtitles — pretty standard for most tutorials, but not as easy to implement as I initially thought! I had to spend several hours learning how to properly manage the voice and subtitle systems. It turned out to be a much more complicated process than expected, but I finally managed to create a voice and subtitle manager for the game.
Creating an effective tutorial is a delicate balance between guiding players and allowing them the freedom to explore. A well-crafted tutorial not only introduces mechanics and controls but also sets the tone for the entire game experience. 
For example, if an enemy spotted the player, it would immediately attack. I added sequences and made them capable of handling multiple tasks at once, like moving and attacking simultaneously. It was a simple but effective way to bring my enemies to life.
To solve this, I rebuilt the entire AI system, giving each enemy its own unique attack patterns. Some enemies ended up behaving quite differently from others. For the bosses, I combined various elements from the smaller enemies' behaviours, which made them feel more complex without starting from scratch.
Before I even start designing, I draft out what I want to convey. What’s the mood? What room layout do I need? How does this environment fit into the larger world of the game? These are crucial questions because every level has to complement both the narrative and the mechanics of gameplay.
As soon as you start building the level in-engine, you’ll quickly notice little things that need adjusting – maybe a hallway is too cramped, or a room doesn’t flow well with the rest of the space. It’s a fluid process, and that’s okay! In fact, watching a concept evolve into something even better is one of the most satisfying parts.
I procedurally generate textures in Blender to quickly give rooms that lived-in feel. But for more intricate models and standout objects, I turn to custom textures, using tools like Quixel Mixer to create surfaces that pop. Whether it’s the polished metal of a spaceship hull or the gritty, worn-out texture of storage crates, these details help immerse the player.
At the end of it all, the level finally comes together, blending the technical aspects of game development with the artistry of world-building. It’s an iterative process, and while it can take time, there’s nothing quite like seeing it all click into place.
You quickly learn that you are no longer on Earth, but trapped within the confines of a massive alien spacecraft. A firearm lies on a table in front of you. Robert encourages you to pick it up, explaining that while it won’t bring back your lost memories, it might offer a sense of control over your situation. As you grab the weapon, Robert warns you that it is just a tool, a temporary solution for the immediate dangers ahead, but that ultimately you will need to trust yourself to survive.
As you ascend through the training area, Robert reveals more about your dire circumstances. The spacecraft is overrun with hostile robots, mistaken for aliens. Their goal is to harvest Earth's resources, and their invasion has already devastated much of the planet. Robert hints at a larger, hidden agenda but insists that you must focus on survival for now...
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